Monthly Archives: November 2024

McLuhan and Aristotle 5 (dualisms in 1944)

McLuhan’s 1944 lecture (published in 1946), ‘An Ancient Quarrel in Modern America’,1 requires analysis in a variety of ways. Here its treatment of Aristotle will be examined. But it is also interesting as an example of McLuhan needing to get out of his own way2 and of his ‘University of Chicago’ writings in the 1940s.3 It is also, of course, one of a number of texts in which McLuhan attempted to investigate further the “ancient quarrel” set out in his Nashe thesis from 1943.

What is at stake in the lecture is the conflict between the ‘great books program’ and ‘humanism’ at the University of Chicago under its president,4 Robert Hutchins, with the education policy of liberals like John Dewey and Sidney Hook. The latter policy is said to mirror industrial technology in ‘modern America’ generally. McLuhan’s contention is that “this dichotomy”5 of Hutchins vs Dewey must be understood against the background of “the ancient quarrel” treated the previous year in his Nashe thesis over the 2000 years between classical Athens and Elizabethan England.6 In effect, the history of that ‘trivial’ quarrel between dialectic, grammar and rhetoric was now to be brought up to date in specific regard to contemporary university education in America:

Behind this contrast in basic postulates between Hutchins and his opponents there is a long history. What makes the explanation of the conflict rather difficult is the fact that while the [rhetorical] position of Hutchins is recognizably that of Isocrates and Cicero, the position of men like Dewey is not like that [dialectic] of Plato and Aristotle. Nevertheless, I think it can be shown that Dewey and the experimentalists are lineally descended from Plato and Aristotle via William of Ockham and Peter Ramus. My explanation of the modern quarrel is in terms of the old quarrel between the grammarians and rhetoricians on the one hand and the dialecticians on the other hand. It is the quarrel begun by Socrates against the Sophists, from whose ranks he came.7

Aristotle’s major role in the piece, usually in consolidated combination with Plato (as seen twice over in the passage just cited), is to function as a stand-in for the ‘dialectical’ art of the trivium. The differences noted in the thesis between Plato and Aristotle, especially Plato’s frequent ‘grammatical’ recourse to myth, is left aside.

At the same time, grammar and rhetoric are similarly consolidated throughout the essay: “the old quarrel between the grammarians and rhetoricians on the one hand and the dialecticians on the other hand”.

Such fusions are effected over and over again — Aristotle with Plato and even Socrates, and rhetoric with grammar in combined opposition to dialectic — fusions which are intended to serve as the historical background to “the basic cleavage of American culture”: “the modern quarrel”.

But while the “ancient quarrel” of the thesis is between the three arts of the classical trivium, rhetoric, grammar and dialectic, ‘An Ancient Quarrel in Modern America’ reduces that quarrel to a 2-fold dichotomy”. This is achieved through the aforesaid consolidation of grammar with rhetoric or by ignoring grammar altogether, as here:

the Sophists made (dialectical) logic subordinate to rhetoric or persuasion, since their end was political. And this it was which raised against them the opposition of Socrates, Plato, and Aristotle, who were all agreed that dialectics should control rhetoric, that knowledge was superior even to prudential action.

Either way, the third power of the “ancient quarrel” is eliminated as an independent force and with it, the possibility of media-tion between the remaining two. Their middle becomes a “no-man’s land” of “conflict” and outright “war”.

For McLuhan’s own development, this reduction of the three to the two through the omission of grammar is particularly important in regard to industry, technology, science and philosophy, all of which he situated on the negative side of the “basic cleavage”:

The cultural cleavage of North and South [in America] reflects the broad divisions of the age-old quarrel between Socrates and the Sophists in the past and between science and ‘the great books program’ in the present.8

Man: a technological unit? (…) Whereas Hutchins’ program would make every citizen a potential ruler, the “liberals” conceive rather of the individual as a technologically functional unit in the state.

He who would understand how in the (…) great books program all knowledge is subordinated to the development of political prudence, must understand the nature and influence of Cicero. When this is seen it is easy to define the opposition which always rises against the Ciceronian program from the camps of technology, science, or philosophy.

When we speak of the humanities today as opposed to technology, the physical sciences, or highly specialized disciplines such as logic, we mean what Cicero (…) meant.

In the past century the abstract cadres of German scholasticism have completely disoriented American school and college organization away from humanistic ends, bringing our education into line with industrial technology. All industrialist organization of society is necessarily technological and abstract. 

As already brought forward in Aristotle 4, in his 1969 Playboy interview McLuhan mocked this approach that he himself had taken a quarter century earlier:

For many years, until [the late 1940s when] I wrote my first book, The Mechanical Bride [published in 1951], I adopted an extremely moralistic approach to all environmental technology. I loathed machinery, I abominated cities, I equated the Industrial Revolution with original sin and mass media with the Fall. In short, I rejected almost every element of modern life in favor of a Rousseauvian utopianism. But gradually I perceived how sterile and useless this attitude was…

Through this self-critique and associated gestalt-switch McLuhan adopted “a totally new approach”:

I ceased being a moralist and became a student. As someone committed to literature and the traditions of literacy, I began to study the new environment that imperiled literary values, and I soon realized that they could not be dismissed by moral outrage or pious indignation. Study showed that a totally new approach was required, both to save what deserved saving in our Western heritage and to help man[kind] adopt a new survival strategy. 

But McLuhan could not adopt such a “totally new approach” as long as he was mired in either-or dualisms. Where there are two and only two fundamental powers, without an inter-media-tory third enabling their modulated community, it is necessary that one of them should “control” the other and that that other should be “subordinate” (if not eliminated altogether). For if fundamental basic powers exist in some kind of balance, however dynamic and variable that balance may be, there must be some third power enabling that community and its modulation. Contrariwise, absent such a third, there is not even a proper border between the antagonists, let alone a basis for their community. The ineluctable result is the collapse of the two into an “entire” singularity via all-out “conflict”:

Conflict, however, will inevitably arise between these parties [the dialecticians and rhetoricians] when either attempts to capture the entire education of an age or a country. 

‘Conflict’ is a technical term used four times in ‘An Ancient Quarrel”, along with ‘contrast’ (twice), ‘battle’ (twice), ‘dispute’ (twice), and ‘war’. All appear in such phrases as “the battle of the books”, “a dispute that began in ancient Athens”, and the “contrast in basic postulates”. All are stand-ins for ‘quarrel’ (used 14 times) and refer to the “ancient quarrel” whose nature McLuhan was attempting, unsuccessfully at the time, to plumb.

But just as in his Nashe thesis, where the possibility of another Aristotle is broached in its concluding section,9 one beyond the Aristotle of a dialectic caught up in dualisms, so in ‘An Ancient Quarrel in Modern America’. In a footnote a citation from Aristotle’s Topics (101a) appears that was already given in the Nashe thesis as well (Classical Trivium, 48):

[Dialectics] has a further use in relation to the ultimate bases of the principles used in the several sciences. For it is impossible to discuss them at all from the principles proper to the particular science in hand, seeing that the principles are the prius of everything else: . . . dialectics is a process of criticism wherein lies the path to the principles of all inquiries.

McLuhan was speaking to himself here with this repeated citation. It was first of all he himself that needed to locate this “path to the principles of all inquiries”! And the way to do so was already demarcated, however obscurely, in his 1944 ‘Ancient Quarrel’ essay. He needed to articulate the role of the third power of the trivium, namely grammar, in the varied expressions of the dialectical and rhetorical powers relative to each other. Indeed, this third power already appeared in his essay in such offhand expressions as “the means to wisdom” and “the bond of the state” and especially in the assertion in its concluding paragraph that “between the speculative dialectician (…) and the eloquent [rhetorical] moralist (…)  there need be no conflict.”

Principles as “the prius of everything else” cannot be both plural and only in “conflict”. They must reduce to a singular one (when ‘conflict’ is supreme) or be exfoliated in a society of at least three (when ‘conflict’ is not supreme and some kind of balance prevails despite fundamental difference). 

Principles cannot be a merely conflicted twofold. In the principial realm there is ultimately either a singular one or a community of three (or more than three). For either the two belong together in community as first principles, in which case their relation must be in some kind of balance ‘there’ and they cannot be only in conflict — in which case there must be a further principle, or principles, accounting for that balance and even for the differentiating border between them.10 Or there is no such further principle, or principles, in which case there is no community or border and ‘they’ cannot be plural: they cannot be more than one.11

At the same time McLuhan needed to see that “all inquiries” must include technology, science, industry, logic, and abstraction, all of which in ‘An Ancient Quarrel in Modern America’ are still dichotomously contrasted with ‘humanism’ — and thereby excluded from his valorization and his investigation. But principles cannot be principles as “the prius of everything else” if they apply only to a selection of their field (just as chemistry cannot cover only some physical materials).

McLuhan would have to find a way to loose himself from himself. He would have to come to see that even, or especially, his moral perceptions were not timeless observations, but relative assertions — thereby requiring an investigation of the relativity of “all inquiries”.12 But this would necessitate not only a focus on ‘grammar’ as the binding third power of the ‘ancient quarrel’, but the submission of himself to it. How else could he himself undergo the trans-formation to “a totally new approach”? How else take the “path to the principles of all inquiries”?

Aristotle would be the primary — but not at all exclusive — means through which, by the end of the decade of the 1940s, the required somersault was achieved in McLuhan’s thought and, indeed, identity.  

 

  1. ‘An Ancient Quarrel in Modern America’, Classical Journal, 41:4, January 1946, 156-62. All unidentified citations below are taken from this publication.
  2. McLuhan himself was the medium (who) is (receives and retransmits) the message: he served as a medium for information that came to him as ‘light through’. To do this, he had to get out of his own way, namely stop directing ‘light on’ from him (‘the rearview mirror’) which interfered with his reception of the incoming new. McLuhan’s 1951 letter to Innis ends (with emphasis added): “the actual techniques of common study today seem to me to be of genuine relevance to anybody who wishes to grasp the best in current poetry and music. And vice versa. There is a real, living unity in our time, as in any other, but it lies submerged under a superficial hubbub of sensation. Using Frequency Modulation (FM) techniques one can slice accurately through such interference, whereas Amplitude Modulation (AM) leaves you bouncing on all the currents.” (The ‘you’ must become the ‘one’, where the ‘one’ is one possibility out of a spectrum of possible you’s. The condition of a science of human artefacts, including thought, feeling and any and all experience, is that also one’s own thought, feeling and experience be part of the domain to be questioned.) In ‘An Ancient Quarrel’, the conscious message from him concerns the stark either/or dualisms described above. But at the same time the message given to him for focused investigation and extended communication was already incoming in his own writing in such expressions as “the means to wisdom” and “the bond of the state” and especially in the notion that “between the speculative dialectician (…) and the eloquent moralist (…)  there need be no conflict.” These all served as variable media-tions of dualities (between ignorance and wisdom, between different interests in the state and between dialectic and rhetoric). McLuhan had to realize, first of all, that messages to him were already there — and then investigate them as a directive given for his life’s work. Indeed, the essential life story of Marshall McLuhan lies in the welcoming access he gave, as well as barriers he imposed, between him and the messages vouchsafed to him as their potential medium.
  3. Throughout the 1940s, as will be detailed in a series of future posts, McLuhan was preoccupied with the University of Chicago (where Sigfried Giedion attempted to get him an appointment). These years began with his critical review of Mortimer Adler’s Art and Prudence (Fleur de Lis, 40:1, 1940, 30-32) and ended with his 1947 proposal to Robert Hutchins, president of the University of Chicago, for a ‘faculty of interrelations’.
  4. Hutchins was the president of the University of Chicago from 1929 to 1945 and its chancellor from 1945 to 1951.
  5. For ‘dichotomy’, see note 8 below.
  6. The ‘ancient quarrel’ is brought together with Hutchins’ program through the equation: “grammar and rhetoric (everything we today know as humanism)”.
  7. It may be wondered if McLuhan put forward these repeated dualisms on account of confusions in his own mind or as a strategy to prompt consideration of his “ancient quarrel” thesis. Perhaps both! A further question for future research: how far was McLuhan influenced by his ‘agrarian’ friends like Cleanth Brooks and Allen Tate towards a fundamental dualism and away from the threefold of the ‘ancient quarrel’? In the two volume Literary Criticism: A Short History (1957) by Brooks and his Yale colleague, William Wimsatt, a pointer to McLuhan’s 1943 PhD thesis appears in its preface: “A more or less pervasive debt in several chapters to a manuscript book by H.M. McLuhan concerning the ancient war between dialecticians and rhetoricians is here gratefully acknowledged and is underscored by the quotation, following chapter 4, of two substantial excerpts from published essays by Mr. McLuhan.” (Emphasis added.) The excerpted essays were ‘Edgar Poe’s Tradition’, Sewanee Review, LII (January-March, 1944) and ‘Sight, Sound and the Fury’, Commonweal, LX (April 9, 1954).
  8. A footnote to this passage refers to it as “this dichotomy”. And in the essay itself, McLuhan notes that “the reason for this dichotomy (between North and South) lies in the divergent education of the two sections of America.” Further: “Humanistic, legalistic, forensic, southern education has followed Ciceronian lines to this day, as the case of an eminent Kentuckian such as Robert Hutchins illustrates. On the other hand, the North has followed scholastic lines, showing more concern for abstract method and technology than for the res publica.” The comparison of Hutchins with Abraham Lincoln as “an eminent Kentuckian” may have been intended as an inside joke. Hutchins was not from Kentucky, although his father was the longtime president of Berea College in Kentucky. William James Hutchins was appointed to that position, however, only when his son was already in his twenties and studying at Yale.
  9. Classical Trivium, 229m2: “the synthesis effected by St. Thomas between Plato and Aristotle”.
  10. No two can, of course, be bordered by one of the two.
  11. See McLuhan’s important 1955 review of Hugh Kenner’s Wyndham Lewis: ‘Nihilism Exposed’.
  12. ‘Sight, Sound, and the Fury’, 1954: “What we have to defend today is not the values developed in any particular culture or by any one mode of communication. (…) This calls in turn for an inspection and defense of all human values.”

McLuhan and Aristotle 4 (Synthesis between Plato and Aristotle?)

The synthesis effected by St. Thomas between Plato and Aristotle…(Classical Trivium, 229n2)

As seen in Aristotle 3, McLuhan’s 1943 Nashe thesis begins by highlighting the opposition between Plato as a sometime grammarian and Aristotle as a dialectician:

[Since] Plato (…) habitually employed the grammatical modes of poetry and myth to express his own most significant and esoteric teaching, he is far from confident that grammar can be or ought to be entirely  superseded. Shortly afterwards, however, Aristotle established the nature of non-grammatical scientific method in the Posterior Analytics. His achievement bore no fruit until the [scholasticism of the] twelfth century (…) [and especially in the following] great age of dialectics (…) in the thirteenth century (…) [with] the triumph of Aristotle in St. Thomas Aquinas… (Classical Trivium, 17)

But the concluding part of the thesis briefly refers to the “synthesis effected by St. Thomas between Plato and Aristotle”. Here it appears that “the triumph of Aristotle in St. Thomas” was not a triumph of dialectics over Plato and grammar as may initially have appeared, but, rather, was Aristotle’s triumph as the philosopher of Catholicism1 — achieved in Thomism via insight into the complementarity (not the identity!) of Aristotle and dialectic with Plato and grammar.

This new (for McLuhan) possibility of an integrated Plato-Aristotle relation indicates the terminus of the winding road McLuhan’s thought would take over the following years of the 1940s, leading to the identification in 1950 of his life’s work as a “voyage of discovery into the creative process2“a voyage of discovery”, moreover, which “must begin (…) in the epistemology and psychology of Aristotle”.3

In 1944, the year after his Nashe thesis was approved and his Cambridge PhD granted (oral defense being suspended on account of the war), McLuhan moved back to Canada from St Louis. After a 2-year stop at Assumption College in Windsor, this would lead him to the University of Toronto in 1946. There at St Michael’s College he would become a colleague of Etienne Gilson, who had been the single most cited authority in McLuhan’s Cambridge thesis via Gilson’s favorite pupil, and McLuhan’s best friend in St Louis, Bernard Muller-Thym.4 But Gilson’s master work, Le Thomisme, does not appear in the bibliography of that thesis.5 He would read it when he got to Toronto, however — in French because there was as yet no English translation of the latest 1942/1944 editions — and its effect was to give him a much more nuanced view of Aristotle through the lens of Saint Thomas.

At the same time, Sigfried Giedion, who met and befriended McLuhan in 1943, tried to interest the University of Chicago in hiring him. And this, too, prompted a renewed interest in Aristotle since influential professors there like Ronald Crane, Mortimer Adler and Richard McKeon6 were avowed Aristotelians. As recorded in McLuhan’s unpublished essay, ‘The Failure in Chicago’, from the mid 1940’s, McLuhan strongly opposed the views of these professors. But to do so cogently, he had to take on their understanding of Aristotle and to do that he had to have better knowledge of Aristotle himself. 

For religious, theoretical and practical reasons, McLuhan came to engage with Aristotle in the later 1940s. This was a time in which he went through a ‘second conversion’, going from being a rather brittle moralist to being a student of all human experience regardless of what might be taken to be the moral implications at stake. He described this transformation in his Playboy Interview in 1969:

For many years, until I wrote [in the late 1940s] my first book, The Mechanical Bride [published in 1951], I adopted an extremely moralistic approach to all environmental technology. I loathed machinery, I abominated cities, I equated the Industrial Revolution with original sin and mass media with the Fall. In short, I rejected almost every element of modern life in favor of a Rousseauvian utopianism. But gradually I perceived how sterile and useless this attitude was, and I began to realize that the greatest artists of the 20th Century — Yeats, Pound. Joyce, Eliot — had discovered a totally different approach, based on the identity of the processes of cognition and creation. I realized that artistic creation is the playback of ordinary experience (…) I ceased being a moralist and became a student. As someone committed to literature and the traditions of literacy, I began to study the new environment that imperiled literary values, and I soon realized that they could not be dismissed by moral outrage or pious indignation. Study showed that a totally new approach was required, both to save what deserved saving in our Western heritage and to help man[kind] adopt a new survival strategy. 

Now Aristotle had a central role in this transformation via his interrelated treatments of metaphor and mimesis. Future posts will document McLuhan’s increasing understanding of these notions in the works of the Stagirite. Suffice it to note here that McLuhan’s “totally new approach”, adopted in the late 1940s when he himself was in his late 30’s, amounted to a turn from a rigid dualism (between the moral and immoral, agrarian and civic, ancient and modern, natural and mechanical, etc) to a more complex understanding of all such oppositions as at the same time deeply, indeed essentially, related (although never merely identified). This amounted to a gestalt switch (“a totally different approach”) for McLuhan, whereby metaphor and mimesis were taken to ground the experience of these oppositions, not as figures based on them.7

Of course McLuhan was not then able to articulate these matters as he later would do. By way of anticipation, however, it may be observed that he came to take metaphor and mimesis as means (or medium) determining the meaning (or message) of any and all such oppositions: ‘the gap where the action is’ as seen through ‘the flip of figure and ground’. Where metaphor and mimesis were taken as secondary figures on stable oppositional ground, the ‘effect’ was the experience of such oppositions typical of the Gutenberg galaxy and the mechanical. Taken, rather, as primary dynamic ground, the effect or figure was the fundamentally different sort of experience of such oppositions typical of the Marconi era and the electric. Either way, the medium determined the message and therefore was the message also in a deeper sense as the variable elementary structure of the artefactual field — the field of the effects of human being (dual genitive) in any and all thought and action.

McLuhan’s bumpy road in the 1940s toward his ‘second conversion’ via Aristotle, may be seen in his writings from the time, published and unpublished — the subject of the next ‘McLuhan and Aristotle’ posts. In them, the faltering and as yet unperceived steps of McLuhan’s “voyage of discovery into the creative process” were underway. It was to reach its goal in 1950 in the decisive insight, at last, that research into “the creative  process (…) must begin (…) in the epistemology and psychology of Aristotle”.8

 

  1. McLuhan read Maritain’s Introduction to Philosophy in his first term at Cambridge, 1934-1935. Here is Maritain’s view of the Stagirite from his ‘Preface’ to that Introduction: “the philosophy of Aristotle, as revived and enriched by St. Thomas and his school, may rightly be called the Christian philosophy, both because the Church is never weary of putting it forward as the only true philosophy and because it harmonises perfectly with the truths of faith, nevertheless it is not proposed here for the reader’s acceptance because it is Christian, but because it is demonstrably true.”
  2. ‘Book Reviews’ in Renascence 3:1, 1950, 45. These were reviews of eleven books on T.S. Eliot.
  3. Ibid, 45-46.
  4. Muller-Thym studied with Gilson for 5 years in the 1930s in Toronto and then became a colleague of McLuhan at St Louis University as a professor of philosophy in 1938. He was the best man in the McLuhans’ wedding in St Louis in 1939, the Godfather of his children Eric and Mary (named after Muller-Thym’s wife), and, finally, McLuhan’s mentor in Gilson’s work in particular and Catholicism in general. Muller-Thym left SLU in 1942 to go to New York to work in the war effort. McLuhan continue to visit him and stay with his family there for decades.
  5. Gilson prepared six editions of Le Thomism: 1919, 1922, 1924, 1942, 1944, 1965. At the time McLuhan was writing his thesis, the definitive 1942/1944 editions of Le Thomisme were not yet available to him.
  6. McKeon was a onetime pupil of Gilson in Paris and the editor of The Basic Works of Aristotle, 1941, which McLuhan owned, “heavily annotated”, and cited in his writings. His annotated copy is preserved in his library at the University of Toronto. Several of McKeon’s essays appear prominently in McLuhan’s Nashe thesis.
  7. The understanding of being as fundamentally ‘in act’ — as essentially metaphorical — was central to the readings of Thomas by Maritain and Gilson.
  8. See notes 2 and 3.