McLuhan's New Sciences
When we push our paradigms back, we get "history"; when we push them forward, we get "science". (Take Today, 15)
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On the opening of a new domain
McLuhan’s new sciences: “only the authority of knowledge”
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Theme
Bohm on the spacetimes of consciousness
Bohm on the ratio of ratios
Bohm on making and matching
McLuhan interview on
The City as Classroom
Bohm on percept and concept
Bohm on formal cause
Verbi-Voco-Visual note on the chemistry of experience
Poetry as circuit control
Charles Cochrane and “problems of time”
Lindberg before and after
Foundations
John Lindberg
“Perpetuity of collective harmony” as judo
Heinrich Wölfflin and the laws of media
McLuhan on first meeting Innis
Rupert Lodge: Synthesis or Comparison?
McLuhan on ‘effect’ in 1946
What Havelock knew in 1938
Dialogue and ethics
Project 69: What I Learned On The Project
Kenneth Boulding
McLuhan’s #1 breakthrough
Richard L Meier and “substitutability”
Georg von Békésy
Multi-levels of simultaneous presentation
Ernst Gombrich
William Ivins
Heinrich Wölfflin
Adolf Hildebrand
McLuhan to Serge Chermayeff
McLuhan’s new sciences: “only the authority of knowledge”
Havelock, McLuhan & the history of education
The keyboards of existence
How it is
Human being: navigator between worlds
The world too much with us
Present depicted 60 years ago
Eliot on Scylla and Charybdis
Scylla and Charybdis 1
Blackout
What is the present?
Jung
Archetypes as inherently plural
X-ray awareness, the inside story
Vivisection
The
spectrum
of forms
When is ‘before’?
Knowing effects before they occur
Déjà vu
The sensory thresholds of our being
Marchand on McLuhan on the Maelstrom
Effects before causes
The incomprehensible mechanism
The humble ditch
Percepts of existence
A sense of reality
The Maelstrom in Mallarmé’s
Coup de Dés
Effect before cause in Gilson
John Watson’s heritage in political economics and communications
Bellum-Pax-Bellum
The bubble of life in Joyce’s
Portrait
Voices in
Dubliners
and
A Portrait
The Gorgon
Monstrosity
From the unconscious to the conscious to consciousness of the unconscious
The New Criticism and plural times
Carpenter on McLuhan’s poetic conversation
The
question
of the “objective correlative”
McLuhan to Overduin on water and fish
William James on the “free water of consciousness”
Language and experience
Dagwood and the ineradicable roots of our being
Easterbrook to Innis on the “juxtaposition of unlikes”
McLuhan’s realism 10: Pound on the ideograph
Writing and the Alphabet
in Innis and McLuhan
McLuhan’s times
McLuhan and the “ceaseless quest for the inclusive image”
On Lewis and Technology 1944
The Comparative Method of Rupert Lodge
McNaspy remembers McLuhan
McLuhan’s realism 9: Where Chesterton Comes In
McLuhan’s realism 8: Chesterton as practical mystic
Encountering Poe
McLuhan’s realism 7: “training in moral sensibility”
McLuhan’s realism 6: dialectics and erudition not enough
Nef on McLuhan’s proposal
The brother’s tale
Proposal to Robert Hutchins 1947
Ms. Found In A Bottle – Edgar Poe
McLuhan’s realism 5: Cambridge 1934-1935
McLuhan’s realism 4: Meredith and “mystical materialism”
McLuhan’s realism 3: against perceptual engineering
McLuhan’s realism 2: “the real things, exactly as they are”
McLuhan’s realism 1: St Louis 1940
Havelock and the question of ‘water’
“The formula of Virgil’s poetic chemistry”
McLuhan and Plato 15: Poe’s
Maelstrom
and the
Phaedo
Innis and “the conditions of freedom of thought”
“Great change” in
Descent into the Maelstrom
The bubble of life in Tolstoy, Nietzsche, Havelock and Innis
A Descent into the Maelstrom
– Edgar Poe
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